![]() So, if you are in the market for a modern virtual piano, I’d definitely recommend trying the demo version and playing it yourself instead of only listening to audio demos. If a great piano is the main thing you’re after and the ability to sculpt the sound is secondary, the sampling or modeling decision is a matter of personal preference and requires testing. The ability to tweak the sound is where Pianoteq really differs from the sampled competition, and also where the difference between the three versions lies. The Stage version offers dynamics and effects adjustments, and can load presets. The Standard version adds the ability to configure a lot of sound sculpting parameters, but rather than parameters familiar from synthesizers or effects, you can adjust things that a piano tuner could, such as the hardness of the felt on the hammers, the octave stretch or the width of the unison tuning. After all, Modartt was founded by a piano tuner turned mathematician. You can also change some things in the realm of piano design, such as the length of the strings, the impedance of the soundboard and even the relative volume of the first eight overtones. So, if you want to tweak a piano’s setup to get it just right, you can do that, as well as some crazy things like making the strings ten meters long. Pianoteq 5 Stage and the D4 user interface. It’s important to note, though, that the string length parameter controls string length specifically, not the size of the entire piano – so making the strings ten meters long will reduce inharmonicity to near zero, but it will not change the whole piano model to an enormous monster with a cabinet and soundboard that would contain strings of that size. If you are a serious pianist or a producer, being able to tweak the piano setup and microphone positions right for a specific piece of music is great, and much more powerful than the tweaking you could do with an EQ (though EQ, compression, reverb etc. are also included in the built-in effects). For the microphones, you can choose between a nice array of high-end microphones and even two perfectly flat mics. Having modeled U87s is great, but it’d also be good to have some lower-end mics sometimes – for example a Shure SM58 or a lower-end consdenser so that you could put Pianoteq in a track with some home-recorded acoustic guitar and vocals and have it sound like it was recorded with similar equipment. The most appealing part for me, though, is being able to automate these parameters and have the piano morph during a track. #Pianoteq 5 pro free download full#Free download modartt pianoteq 5 for windows fullįor a section which is just piano and voice, you can have a big, full sound with long sustain. Then, as more layers of synthesizers come in, you can gradually change the soundboard impedance to reduce the sustain, harden the hammers to make it brighter, and reduce the hammer and pedal noises to zero. Sure, it’s not realistic, but for progressive house or complex pop mixes it can be perfect, and sound much more musical than suddenly switching piano sounds or gradually changing the sound via external effects. #Pianoteq 5 pro free download pro
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |